Dark Light

Lisa Germano’s “A Psychopath” is an Arrangement of Real-Life Horror

Lisa Germano, in general, doesn’t make music I’d call “scary.” It’s often dark, and she has a particular knack for capturing an eerie atmosphere, but her 1994 album Geek the Girl, from which “A Psychopath” comes, is a diverse array of indie rock in the vein of other 4AD alumni.

Lisa Germano: Apathy and the Devil

I think of Germano’s work as in a line with the novels of Jean Rhys or the sculptures of Louise Bourgeois: minutely crafted, beautiful but never fragile, familiar and then unexpectedly sharp.
No Elephants (Badman)

Remembering How to Feel

An accomplished singer-multi-instrumentalist first spotlighted as a member of John Mellencamp's touring band in the late '80s and early '90s, Lisa Germano has recorded and toured with a diverse legion of rock and pop stars including Eels, David Bowie, Crowded House, Philip Selway (Radiohead) and Giant Sand.
Singer-songwriter and multi-instrumentalist Lisa Germano (Photo: Jigsaw Magazine)

Lisa Germano at the Hollywood Farmers’ Market

Within the first few minutes of singer-songwriter and multi-instrumentalist Lisa Germano leading me through the Hollywood Farmers' Market, it's crystal clear that she truly loves spending time here.
Lisa Germano (Photo: Dina Douglass)

Lisa Germano’s Dark ‘Magic’

Lyrically sophisticated and texturally daring, Magic Neighbor, the L.A.-based singer-songwriter-violinist's 11th proper album, is a darkly magical and sweetly moving thing. And while hyping her considerable gifts is low on her list of priorities, she's got a lot to proclaim.

Analyzing Lisa

When Lisa Germano was invited to play in John Mellencamp's band in 1987, she had the chops - but not the coping skills for what she knew she'd encounter touring with a major rock artist."
Lisa Germano (photo: Dina Douglass)

Music for the Morning After, and Beyond

Musicians often chronicle the anguish, adjustments and small triumphs associated with a relationship's end. But few capture the emotional rawness and suffocating isolation quite as powerfully as "Too Much Space," Lisa Germano's uncommonly sensitive look at the first lonely hours after two people part and the dust begins to settle.